![](https://format.creatorcdn.com/2162b1c7-96bc-4af6-a6cd-e036d3efe220/0/0/0/0,0,1037,800,900,800/0-0-0/e4a2647d-1ef5-44b6-8e4c-079495e0bfe5/1/1/2020-06-17_07_09_31-ContainGLWidget.png?fjkss=exp=2037607154~hmac=29a2a746b06a283b75150f8715d13b44272799d16bc682ddca9f1398b9abf765)
For the Harvey Milk episode. A lot more shots have been added since, but this is where I started before arranging them into the timeline and adding scratch audio.
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For the Abraham Lincoln episode. This episode got a very good response from the clients. Very happy with this sequence; it called for a lot of emotional acting. The leica for this sequence can be found on my Storyboard page.
![](https://format.creatorcdn.com/2162b1c7-96bc-4af6-a6cd-e036d3efe220/0/0/0/0,0,1889,1082,900,1082/0-0-0/9434d830-51f7-4ad0-af43-ab230a238c58/1/1/2020-02-11_13_24_41-ContainGLWidget.png?fjkss=exp=2037607154~hmac=70be1be7732edceae936010a72fa0e7bfc6e244ba63ce5cc57f2d3a42ce9688b)
Whitespace thumbnails for the James Naismith episode. I experimented with a number of dynamic shots on this one. I really like the GoPro-like POV shot of the ball heading to the basket.
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An exercise I gave myself while I had some downtime at work: draw some shots with a rock and ugh... add some ants while you're at it.
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This is an old set from when I was just starting to apply for revisionist gigs. I didn't have full sequences under my belt yet, so I drew this. I'm still very proud of this one.